~ October 22, 2012
Voices of the Ghouls at Work~
I am sitting in the Madonna University Writing Center observing many different characters. I want to hear everybody's voice. A woman called out to a student who walked in mere moments ago, saying, 'I know your voice!' before turning around the entire one hundred and eighty degrees in order to obtain a view of her. But it's odd is it not? Voices, I mean. They are all around us, betwixt our persons. They are lilting and they are charming, or they are low and perhaps rumbling, deep, reverberating . . . a ghost might whisper in the dark, around a cavern. Voices can echo.
I like to read a voice and I like to hear one too. The transition must not vary that often when watching the person's back, wondering what will be transferred to the page as the dendrites click, and click. Even watching their backs we can hear the wheels spin around. Strange is it, that that person shoulders a voice that is much the same as the vocal one that we all enjoy, which heralds that unique individual before their mighty entrance into the room. That voice! Where have I heard it before? Oh, that sweet, beautiful voice!
I wonder as I sit, writing and thinking to myself in the most introspective way when no one must be watching I do not believe, at the gesticulations of those discussing their topics fervently, at the student with his chin in his hand a couple of yards away. I can see feet tapping in a rhythm of the fierce Indian drum on the ground with his own voice. 'I am nervous,' whispers that beat to us all, 'please do not think ill of me for saying this. I am about to provide you some constructive criticism.' The hands fall into a synchrony that belies his connection to that same notion. They work quickly to aide the voice of the person in its verbal form, but those hands grow nails out of them long and red, making me coordinate the girl in black who is tutoring her student with a Halloween spirit of sorts . . . those reaching claws spin like red banners in the evil of night and clouds of thundering fury to the sound of the feet, voicing, 'I am nervous. I am nervous. Perhaps you will not understand what I'm saying . . . let me move faster, let me cover myself with these beautiful nails so that you will not think ill of me. CRITICISM.'
There are so many voices. So many feet, and a plethora of hands and echoes and reverberations and thundering growls in this dark center. The hair of a ponytail flips around with a quick spin while one student leaves to stretch her legs outside of the center's doors. I can clearly see the elegant cross of those loose appendages as she speaks with that voice that I know so well over the phone. She walks in with a body that draaags in the shawls that she's adorned, perhaps directly before she made her appointment today. Those pale robes of purple remind me of Albus Dumbledore's walk around the Headmaster's office, placing me in mind of the gold and the silver instruments, of the midnight blue colors and textures which manifest in others too, such as white perhaps mixed with black, and green, anything that could be imagined in that magical elements. Voices of floating pumpkins, ghosts, bats, and Alan Rickman with that lovely velvet soothing murmur, so dark, float around the classroom now. The girl in front of me scratches out the word 'OMIT,' on a sheath of paper in front of her. I wonder what OMIT means, but somehow I really do not want to understand. This was the person wearing BLACK earlier. Two people to my right speak animatedly about the process of failing. And behind me, I hear the throes of a tutoring session.
They walk, and pencils wag. Their ears perk up, while their mouths hang open inexplicably. The word 'thrilling' jumps out of one of those tutors behind me. Murmurs, whispers have evolved from bubbling laughter. I sit here, typing out all of the voices. Do you know the world or the particular sphere in which so many different vibrations could possibly find a home? I don't think that any of them ever find a home. The picture of a bone on the screen in front of me depicts a hauntingly chilling voice as that arm continues to yell at me, 'I HAVE TOO MUCH HOMEWORK!' Oh dear. Footsteps trod outside the door. I must leave you know amidst all of these cackling voices. I hear jangles. The Writing Center here in which I work, has turned into something, indecipherable . . . the voice of language. It haunts us all. No one understand it.
On Halloween, yikes!
These voices will come out in their true spirits.
Spirits is the word for all of them.
Halloween. Halloween-ish. Work today has merely been a prelude to the voices and their mad clutch over my brain. Perhaps I have become mad. I do think that writing today, has become a bit, too much . . .
Good evening to you all,
Brooke ~